Nat Turner Issue #1

A full-colour illustration depicting the hand of the titular character, Nat Turner, holding a sword against the backdrop of the moon in the night sky, with droplets of blood curving around the sword in an arc. There is also a spine design on the left side of the cover reminiscent of "little golden books" era hardcover story books, which is black with dark blue swirls (the same colour as the background behind the moon). There are two orange stickers for Strange Adventures comic shop on the cover.
A comic book adapting the real life accounts, journal entries, and court confessions of Nat Turner, an African citizen kidnapped and enslaved during the American slave trade during the early 1800's. Nat Turner would later become the leader of an insurrection in Southampton, Virginia. The entire comic is presented from start to finish with no spoken dialogue, with the story presented entirely through visual media.

The only text contained beyond the synopsis (which itself appears to have been scanned from a real life court document) on the reverse side of the front cover, the advertisements for proceeding books in the series on the final page, and the copyright information are excerpts from journal entries on pages 26 and 47, placed below, and to the left of the art panels depicted therein respectively.

Social War on Stolen Native Land

The title is written in black sans-serif text on a white background that says "Social War On Stolen Native Land", accompanied by a colour photograph of two individuals dressed in all black burning a Canadian flag at an indigenous gathering. Below, in black
A half-page colour zine detailing the perspectives, struggles, triumphs, and stories of various groups of anarchists, indigenous people of Turtle Island (specifically the occupied lands classed as "Canada") and how their struggles are interconnected. These stories come from all over "Canada", with a particular focus on articles from the west coast, and "Quebec". The zine, though compiled and released in 2016, is comprised of various blog posts and editorials from as far back as 2003, compiling over a decade and a half of indigenous stories, anarchist stories, their mutual struggles, and constructively addressing fundamental differences in their mindsets towards societal structuring, reconciliation and land back movements.

I Don't Do Boxes No. 3: Act Out!

A minimalist, abstract ink and watercolour illustration of several people holding up protest signs and a large banner. The banner text depicts the name of the magazine, "Act Out", with the O replaced by the Transgender symbol. Most of the crowd, save for the two on the outside edges holding up the banner, are standing inside of a circular rainbow gradient.
Dear Reader,

In this third issue of I Don't Do Boxes: Act Out, we're speaking out about all the things we were told we couldn't say and we're armed with all things we were told wasn't meant for us. Our editorial team sent out a call for submissions for queer creatives to send us poems, essays, stories, and art surrounding the theme of acting out.

We all struggle with taking action - whether it's getting out of bed, writing our scolarship essays, correcting pronouns, or saying what we really think. And as queer people in the south, we're constantly on the brink of choosing between action and safety, between justice and survival.

And no matter if you're acting out of rage, love, or fear, it can be terrifying. But actions don't have to be grand to matter. Acting out doesn't just mean protesting in the street- it's any way that you use the power that you have. It's building your own community where there is none. It's rewriting histories to include people who've always been left out. It's creating art. It's letting yourself be loved for who you are when you've always believed you're wrong. It's resistance. It's allowing yourself to exist, unfiltered, with or without boxes.

We hope that the varying perspectives in this issue will help our readers continue to explore ways of acting out. You already have the power - it's just how you decide to use it.

Finally, a note on survival: it's okay if the person you need to fight for most is yourself. If you need permission to reach out, here it is. Exhaust every resource to keep yourself from burning. As your battle dies down, breathe and pull another from the open flame.

Collect others. Heal together. Survival is the greatest act. The rest is an encore.

"It is our duty to fight for our freed.
It is our duty to win.
We must love and protect each other.
We have nothing to lose but our chains."
- Assata Shakur.

Sincerely,
The I Don't Do Boxes Team

Breaking Free of Gender Through Friendship and Attack

Black, white, and red artwork depicting women partaking in acts of anarchistic, anti-patriarchal violence and resistance, set against the backdrop of a burning village. The front and back covers contain the same artwork. The front cover, pictured, has the title, "Breaking Free of Gender Through Friendship and Attack" imposed over the artwork in pink lettering, while the back, not pictured, contains a short synposis of the contents of the zine.
A 2 page zine containing an english translation of a French blog post from attaque.noblogs.org on October 31st, 2017, talking about the need to destroy gender as a construct, with a focus on the oppressive nature of traditional gender roles not only in French society, but around the world.

Road & Corner Quarterly #2.1

Stories of the creator's time in Mexico interspersed with history, politics, and discussions of current events in the area.

Contents:
Ever Dim on the Horizon: Trying to Understand Mexico's Festering Twilight of Injustice
Giving Thanks: Back Road
As Demanded by Tradition: Cultural Intercourse
Between Solidarity and Pathology: Sifting the Rhetoric of #19S, Corner Gossip
Mountains High, Oceans Deep
To Where One Can Turn